Showing posts with label Tango. Show all posts
Showing posts with label Tango. Show all posts

Sunday, October 7, 2012

Don't judge a record by its cover

Svívbajok ellen, kisasszony, 
szedjen tangót!
Various artists, Pepita LPX 17734
Made in Hungary, 1982
Charlotte Harbor Exhaust on Tamiami Trail is the garage I bring my car to when there's a problem with it I can't fix. It has happened too often in recent weeks. There's a little thrift store right up the street from it. It's called the Thrift Depot and I wrote about it last week, and the week before that, in respect to some Hungarian records I picked up there. So when I had to wait again a few days ago while my car was being worked on, I knew that they wouldn't have any new records at the Thrift Depot but I went nevertheless. All Hungarian records I had picked up on previous visits were really nice, and I knew there was one more I had left behind and I was going back for it. I didn't buy it last week because of the cheesy cover: How can a record with such a hideous cover be any good? Anyway, it was still there, as a matter of fact it was in the exact same spot I had left it a week earlier, right in front of one of the five rows of records situated on the floor. I spotted it the very moment I opened the door of the store. I inspected it before I forked over my dollar bill and it was fine. It was in good shape, dedicated in pen on the front cover (I would however not consider this a signed record), and that was all I could tell about this record because all the texts are in Hungarian (or Magyar). When I got home, not feeling too good because I had just spent more than a year's worth of my thrift store records budget, I immediately played the record, and all was good. As if I had gone to a doctor, just for him to a put a stethoscope on my back and tell me nothing was wrong with me. I kinda knew nothing was wrong but I needed his reassurance. (No, I don't look anything like that doctor or patient on that sleeve. I sort of look like the cross between the two of them, but older. Put her hair on him, shave off his moustache, and add a decade or two worth of age, then you've got an approximation of what I look like. I once had a very detailed dream featuring myself in a situation in Hungary around the time of the second world war. If there exists such a thing as reincarnation I surely would have been a Hungarian in my former life.) The record is full of songs that are tangos (I could have deducted that word from the Hungarian title) that sound like they could have been recorded in the late fifties or early sixties. It's a beautiful record and I picked for this week's "Song of the Week" the 4th song from side A: Ne Szólj! by the singer Mária Mezei. Almost every song could've been chosen, that's how good it really is, but since I have this tradition of posting songs sung by singers named Maria, I opted for this one.

Wednesday, May 9, 2012

Carlos Gardel

Largaron... Carlos Gardel
Colección Musical No. 174
EMI – Odeon 4174, 1973
Impulsa la Música Argentina
As promised last week I would pay homage to the legendary Argentinian tango singer Carlos Gardel. I selected two songs from a handful of albums I have of his. The first is ¡Leguisamo Solo! from the album with the beautiful cover Legaron... Carlos Gardel, the second is Mi Buenos Aires Querido from Memorias de Carlos Gardel, an album with an ugly cover. Every major metropolitan city has its signature song it seems (New York, New York by Frank Sinatra, Aan die Amsterdamse Grachten, Oh Champs- Elysées, and so on) and Mi Buenos Aires Querido is the one for Buenos Aires. A beautiful instrumental version of this can be found on Gato Barbieri's El Pampero, recorded live at the Montreux Jazz Festival in 1971. (Listen to Barbieri's version of Mi Buenos Aires Querido below as well). ¡Leguisamo Solo! was the opening number on my first mixed tape I made in 1999 consisting of Latin American music. It was then that I considered my Latin American thrift store record collection large enough to start making these tapes. I called it Just South of Texas, it was around the same time I compiled Just South of 1600, filled with Medieval music, again because I considered that (thrift store) collection large enough as well.
Carlos Gardel, the King of Tango, was born as Charles Gardes in Toulouse, France on December 11, 1890. His mother moved to Tierra del Fuego in Argentina because of the gold rush. Gardes spent his childhood in Buenos Aires and became an Argentinian citizen in 1923. In 1915 he was wounded as he was shot by, rumor has it, Che Guevara's father. On June 24, 1935, at the height of his career he died in a plane crash near Medellin, Colombia.
(source: Wikipedia)

Memorias de Carlos Gardel
Arcano DKL-3146
RCA Records, 1964
Manufactured in U.S.A.

Wednesday, May 2, 2012

Tango

Juan D'Arienzo y Alberto Echagüe – El Raje
Aquellas Canciones, Collectionista
RCA Victor 05(0131)01569
Made in Medellin, Colombia
There are plenty Argentinian steakhouses in Miami and therefore plenty of Argentinian Music in their thrift stores. I only visited one during my weekend in the big city but it yielded five Argentinian records. And when you mention Argentinian records you're talking tango. As a coincidence I had found another five in my hometown of Fort Myers just a week earlier. 5+5=10. Three by Carlos Gardel, two by Astor Piazolla, two of Juan D'Arienzo, two compilation records, and a record with music by Anibal Troilo. There's not a female to be spotted on none of those records but they're all good, without exception, they all carry that strong emotional heaviness that make you feel that Argentinians are higher in the spiritual hierarchy than you and me. More machismo for sure. Next week I will pay special attention to the music of Carlos Gardel, whose music I adore, but this week's song is from Juan D'Arienzo from an album collaborating with Alberto Echagüe. I had never heard of either of them but that doesn't mean anything. In fact they're both kings: "El rey del Lunfardo y el rey del compas". D'Arienzo (1900-1972) is the compas (beat) and Echagüe the Lunfardo (a dialect of Buenos Aires). D'Arienzo is the band leader and Echagüe the singer. The music must have been recorded in the 1940s but the record I have in front of me El Raje is much newer. The song Barajando is a tango, they all are, save for two milangos. Listen to Barajando.