Obey

Chief Commander Ebenezer 
Obey and His Miliki Sound
Decca, WAPS 78
Made in England, 1973

Here's then the second entry concerning Nigerian records found in Florida thrift stores. As promised last week I'll share a song from an album by Chief Commander Ebenezer Obey. The song is Alowo Majaiye, it's the opening track on the album. As with Anyinla Owomura's last week, I only estimated the break between the first two songs as all tracks are woven together medley style. At that point I faded it out, hoping not to cut off anything from the track in question. Really, both side one and side two are just two continues songs that happen to have multiple titles. Kinda like an opera, except that it doesn't sound anything like an opera. It's all about Obey's guitar breaks. The guitar playing throughout this record is magnificent.

African Records

Ayinla Omowura and His Apala Group, Vol. 8
Procuced by Taoreed Adedigba
Nemi (LP) 0110, EMI, printed in Nigeria

There's gotta be a few notes written in the margins of the above statement because "a whole history of music" turns out to be a very subjective term. The statement holds the people of a city or region in very high esteem when the truth is that especially those people that are represented in the collection of thrift stores are not as expansive and discriminate more than one would hope. Africa is arguably the continent with the most interesting (and on average highest quality) of commercial LPs. Yet records from this continent arrive in thrift stores few and far in between. Occasionally you will find one produced in the West for the Western market (either by Africa's biggest selling stars, like Miriam Makeba, or else compilations of traditional music, both of field recordings and of commercial intent) but hardly ever records plucked from the streets, popular by locals but unknown beyond. The last time I found some of the latter was about five years ago, when I got two Nigerian records in a thrift store in Saint Augustine, Florida. One is by Ayinla Omowura, the other by Chief Commander Ebenezer Obey. Obey is fairly well known in the West but of Omowura I had never heard. Both records belonged to a certain Bergmann. As always when I find multiple records that once belonged to the same person, I am curious about the circumstances. Bergmann got his (or hers) in the US I think. I don't think Bergman bought the records in Nigeria because the Obey one has an import sticker on it from an African market in Brooklyn. The Obey record was pre-owned when Bergmann got it. That's all the clues I have to the Bergmann puzzle. The two records are remarkably similar in production and content. Both records are recorded in medley style, apparently produced for dancing. The songs that are listed as being played are not separated by any noticeable clue (the sound clip below is faded out somewhere in the second song of side A of the Omowura record). It feels like they could be playing forever. In fact Omowura's record is Volume 8, and I wouldn't be surprised if all eight records were recorded in a single or maybe two recording sessions. The opening seconds of both records are spectacular instrumental introductions by (I assume) the respective instruments of the bandleaders: Obey's guitar and the talking drum of Omowura. From an objective point of view these opening seconds are probably all you need to know about, the rest only becomes interesting when you engage in it (like dancing). Next week I'll discuss Obey's (my favorite of the two) some more. The songs you can listen to below are the opening minutes of the medley on side A; Akigbo wo awon and part of Chief Adeniyi Idowu. The word "Yoruba" printed on the label of the vinyl probably refers to the language used in the lyrics. I estimate the recording to be from the early 1970s.